exhibitions
hill end drawing exhibition, 2022
Hill End Art Gallery
Hill End, NSW, Australia
26 March - 26 June 2022
trinity buoy wharf drawing prize, 2020
Drawing Projects UK, Trowbridge
2 - 31 Oct 2020
Cooper Gallery
Duncan of Jordanstone College of Art & Design, Dundee
13 Nov - 19 Dec 2020
Trinity Buoy Wharf, London
9 - 22 Jan 2021
The Gallery at AUB
Arts University Bournemouth
18 Feb - 22 Apr 2021
Selection panel: Sophia Yadong Hao, Ian McKeever, Frances Morris
after hortus malabaricus, 2020
A suite of collaborative works made with Sian Bowen and Daniel Laskarin was included in Bowen's solo exhibition After Hortus Malabaricus: Sensing & Presencing Rare Plants
Inverleith House
Royal Botanic Garden Edinburgh
10 January - 22 March 2020
trinity buoy wharf drawing prize, 2018/19
Exhibition tour:
Trinity Buoy Wharf, London
29 Sep - 17 Oct 2018
The Gallery at AUB, Bournemouth
22 Nov 2019 - 10 Jan 2019
Royal Drawing School, London
2-22 Feb 2019
Drawing Projects UK, Trowbridge
2 Mar - 26 Apr 2019
folding islands, drawing boundaries, 2018
British Pavillion
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A group of floor-based assemblages made in collaboration with Sian Bowen as part of UAB's Folding Islands, Drawing Boundaries installation for the British Pavillion at the 2018 Venice Architecture Biennale, 27th & 28th October 2018. |
| WAC awards 2018 |
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Wells Art Contemporary Awards |
beyond words:
Group exhibition curated by Christopher Jones to accompany the international conference on Murakami's literature and its translation, 40 Years with Murakami link |
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"In initiating this exhibition as part of the larger research project, Gendering Murakami Haruki: Characters, Transmedial Productions and Contemporary Japan, the aim has been two-fold: first, to shed light on the ways meaning is created as we read literary text and the process we must take before a literary text can travel to another medium; second, to create a visual dialogue with and about Murakami Haruki, one of the world's most well-known writers of contemporary Japanese literature" Dr. Gitte Marianne Hansen Lecturer in Japanese Studies in the School of Modern Languages Newcastle University, UK  |
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Christopher Jones
Slipping through the Membrane #1: Parallel
2018
48 x 33 cm
Gesso, carton & found material
link: 'slipping through the membrane' series
Beyond Words: exhibition installation
Katsutoshi Yuasa: wood cut prints
Akiko Fujimoto: paintings
Petra Szeman: video installation
Anna MacRae: assemblages
James Quin: paintings
link:pdf exhibition catalogue with artists' works, texts and biographies
paper, table, wall & after 2
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Two related interations of Paper, Table, Wall & After took place, first at Gallery North, Newcastle in December 2014 and second at the university gallery of NTUA, Taipei in December 2015. For the second exhibition artists were invited to make works on paper capable of being folded to the size and proportion of a standard ordnance survey map.
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Christopher Jones
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Christopher Jones
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"The provisional, but vital, stages of making artworks; the fluid open-ended possibilities for their interpretation through display; the uncertain destinies that await all material artefacts, however precious – these often disconnected moments in the ‘life story’ of an art object are the topic of these exhibitions co-curated by Chris Dorsett and Sian Bowen from Paper Studio Northumbria. It explores not only how contemporary artists utilise the special properties of paper but also how the passage of paper-based artworks across studio tables and gallery walls can lead to an unknown 'after', a contingent world only tentatively related to the immediate concerns of viewing an exhibition"
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paper, table, wall & after 1
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| Christopher Jones Packaged 1 & 2 2014 Each: 16 x 11 cm Dye sublimation prints, PVC tape & found material |
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unmonumental: for the silo 2
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Solo site-responsive installation |
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click for images of the exhibition installation
for the silo
Studio Kura, Itoshima, Fukuoka, Kyushu, Japan
July 2013
Solo site-responsive installation
A series of site-dependent assemblages for the project space at Studio Kura:
a 100 year-old rice grain silo in rural Itoshima.
between the hour & the age
BRAG, Bathurst, NSW, Australia
January-March 2013
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Jean Bellette Gallery, Hill End, NSW, Australia
June-July 2013
Solo exhibition
A selection of paintings and collages made whilst resident artist at the heritage site of Hill End, NSW, Australia in June-July 2011 formed a solo exhibition at Bathurst Regional Art Gallery. 6 works from the Haefliger series entered BRAG's extensive collection of work by artists connected to Hill End including Brett Whiteley, Russel Drysdale and Jeffrey Smart. The exhibition toured to the Jean Bellette Gallery, Hill End in June 2013.
marmite prize for painting iv
Central Art Gallery, Ashton under Lyne; Mackintosh Museum, Glasgow School of Art; The Gallery at Plymouth School of Art; The Ruskin Gallery, Cambridge; Tannery Arts, London, 2012/13.
Apparition, from the series of paintings made at Hill End, New South Wales, was shortlisted for the Marmite Prize for Painting IV
regrouping
x-church, BendInTheRiver, Gainsborough, September-October 2012
4 site-specific works were created for the interior of the former church of St. John the Divine's, now BendInTheRiver's x-church project space. REGROUPING was a group exhibition organised by BITR of over 30 artists across 4 sites in Gainsborough, Sheffield, Nottingham and Lincoln.
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| Mallarme's Armature |
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