cv
education |
|
1987-89 |
- Monbusho Research Scholar: Kyoto University of Arts, Japan |
1982-83 |
- M.A. (Painting): Chelsea School of Art, London |
1977-81 |
- B.A. Hons Fine Art: The University of Newcastle upon Tyne, UK |
selected group exhibitions |
|
| 2022 | - Drawing 2022, Hill End Art Gallery, Hill End, NSW, Australia |
| 2020 | - Trinity Buoy Wharf Drawing Prize 2020, Drawing Projects UK, & tour, UK |
| - Sian Bowen - After Hortus Malabaricus: Sensing & Presencing Rare Plants, Inverleith House, Royal Botanic Garden, Edinburgh: including a series of collaborative works by Sian Bowen, Christopher Jones & Daniel Laskarin |
|
| 2018 | - Folding Islands, Drawing Boundaries, AUB installation at the British Pavillion, Venice Biennale for Architecture, Italy |
| - Trinity Buoy Wharf Drawing Prize 2018, Trinity Buoy Wharf, London & tour, UK | |
| - WAC Awards 2018, Wells Art Contemporary, Bishop's Palace, Wells, UK | |
| - Postcards to the End, The End Festival, Sacred Heart Church, Hill End, Australia | |
| - Beyond Words: Transmediating Murakami Haruki, Newcastle University | |
| 2015 | - Paper, Table Wall & After 2, Taiwan National University of Arts, Taiwan |
| - A Foreign Encounter, Galerie FOE 156, Munich, Germany | |
| 2014 | - Paper, Table Wall & After 1, Gallery North, Newcastle upon Tyne, UK |
| 2013 | - Marmite Prize for Painting IV, Central Art Gallery, Ashton under Lyne; Mackintosh Museum, Glasgow School of Art; Ruskin Gallery, Cambridge; The Gallery at Plymouth College of Art; the Tannery, London |
| 2012 | - REGROUPING, BendInTheRiver, Gainsborough & Sheffield, UK |
| - Bite: Artists Making Prints, Mall Galleries, London, UK | |
| 2009 | - NUPrint, Ex-Libris Gallery, Newcastle, UK |
| - Collage, Ex-Libris Gallery, Newcastle, UK | |
| 2007 | - International Invitation Exhibition, 8th. Shinsaimdang Festival, Gangneung City Art Museum, Korea |
| - Cheoram Mural Project, Cheoram, Korea | |
| 2006 | - Inaugural exhibition, Ex-Libris Gallery, UK |
| 2004 | - JMNEWVIEWS, rural community locations, Northumberland, UK |
| 2003 | - Re-Time, Seoul National University, Korea |
| 2001 | - Printmaking Revisited, Queens Hall Art Centre, Hexham, UK |
| - End of Year Show, Elm Hill Contemporary Art, Norwich, UK | |
| 2000 | - Gravity: 4 Painters, Woodlands Art Gallery, London |
| - Ark 2000, Café Gallery Projects at Dilston Grove, London | |
| 1999 | - Cheltenham Drawing Open, Pittville Gallery, Cheltenham, UK & tour to Berlin |
| - In—Cubo, Piazza SS Annunziato, AAC, Florence, Italy | |
| 1998 | - Distinctive Visions, E1 Gallery at Diorama, London |
| - Marja-Liisa Maki Pentilla Invitation, Lapinlhati Art Museum, Finland | |
| 1996 | - Artlanta, King Plow Art Centre, Atlanta, USA and Hatton Gallery, Newcastle, UK |
| 1995 | - COE 95, Claremorris, County Mayo, Eire |
| - Dimensione Europa, Galleria del Circola ILVA, Taranto, Italy | |
| 1994 | - Building Bridges: 10 Artists from Great Britain, Warhol Museum of Modern Art, Medzilaborce, & tour to Liptovsky Mikulas & Bratislava, Slovakia |
| 1993 | - Group 60+8, SVU, Bratislava, Slovakia |
| - Kunst I Uldspinderiet, Group Tolerance, Ringkøbing, Denmark | |
| 1992 | - Tri Krat G.B., Galleria Gerulata, Bratislava, Slovakia |
| - Ochsenkelter, Metzingen, Germany | |
| 1991 | - Osaka International Print Triennale, Mydome, Osaka, Japan |
| 1988 | - Kyoto University of Arts Annual, Kyoto National Museum, Kyoto, Japan |
| 1986 | - Nominations, Art Now, London |
| 1985 | - The Artist's Travels, Art Now, London |
| - Cumbrian Connections, Abbot Hall Art Gallery, Kendal, UK | |
| 1983 | - Northern Young Contemporaries, Whitworth Art Gallery, Manchester, UK |
| 1982 | - John Moores 13, Walker Art Gallery, Liverpool, UK |
solo exhibitions |
|
2013 |
- Unmonumental: For the Silo 2, Siloen, Union Scene, Drammen, Norway |
- For the Silo, Studio Kura Gallery, Fukuoka, Japan |
|
| - Between the Hour & the Age, BRAG, Bathurst, NSW, Australia; Jean Bellette Gallery, | |
- Hill End, NSW, Australia; Drammens Bibilotheke, Drammen, Norway |
|
2008 |
- In-Between, Daiwa Japan House Gallery, Daiwa Foundation, London |
2007 |
- Erasure, Woosukhall Art Gallery, Seoul National University, Korea |
| - Trace-Retrace 2, Main Gallery, Northern Print, Newcastle upon Tyne | |
| 2006 | - Residue, Art Space A1, Nagoya, Japan |
| - Trace-Retrace, Kyoto Arts Centre, Japan | |
| 2004 | - Postscript, Kunstverein Galerie Am Markt, Schwäbisch Hall, Germany |
| 2000 | - Index, Galleria Z, Bratislava, Slovakia |
| 1998 | - Spuren—Traces, Kunsthalle Servas, Rodalben, Germany |
| 1995 | - EPO Gallery, Munich |
| 1994 | - Difficult Rhymes, Turnpike Gallery, Leigh |
| 1992 | - The Small Hours, Hatton Gallery, Newcastle |
| - From a Foreign Window, Reg Vardy Arts Foundation, Sunderland | |
| 1990 | - Frozen by Distance, Lanchester Gallery, Coventry |
| 1989 | - Tamura Gallery, Tokyo |
| - Tanaka Gallery, Osaka | |
| 1988 | - Harding House, Lincoln |
| 1987 | - In Residence, School of Fine Art Gallery, Hull |
| 1985 | - Paintings & Collages, Nottingham University Art Gallery |
residencies & fellowships |
|
2013 |
- UnionScene artist-in-residence, Drammen, Norway |
- Studio Kura resident artist, Fukuoka, Japan |
|
2011 |
- Bundanon Trust Residency Programme, Bundanon, NSW, Australia |
- Artist-in-Residence, Hill End, NSW, Australia |
|
2007 |
- Asem Duo Fellow, Seoul National University, Korea |
- Bursary Artist: Northern Print, Newcastle, UK |
|
2006 |
- Guest Artist: Kyoto Arts Centre, Japan |
1994 |
- Openshaw Printmaking Residency: Lowick House, Ulverston, UK |
1986-87 |
- Artist-in-Residence: School of Fine Art, HCHE, Hull, UK |
1983-84 |
- Fellow in Fine Art: Gloucestershire CAT, Cheltenham, UK |
curatorial projects and placements for international artists at newcastle university |
|
| 2018 | - Beyond Words: Transmediating Murakami Haruki, Newcastle University (curator) |
| 2015/16 | - Programmed 19 student, staff, PhD and international artist's shows for the Ex-Libris Gallery in the School of Arts & Cultures, Newcastle University, UK |
| 2001 | - Lisa McCosh, Australia, funded by Victoria Arts |
| 1997 | - Smitha Cariappa, India, funded by the Commonwealth Foundation |
| 1995 | - Ravi Shankar, India, funded by Charles Wallace Foundation |
| - Jagdeesh, India, funded by Newcastle University Visiting Fellows Scheme | |
| - Viktor Hulik, Slovakia, funded by Newcastle University Visiting Fellows Scheme | |
| 1994/95 | - Building Bridges - 10 Artists from Gt. Britain, exhibition tour of Slovakia, (Co-curator) |
| 1994 | - New Perspectives—Slovakia (Co-curator): |
| • Artists from the Gerulata Group, Hatton Gallery, Newcastle • Contemporary Slovak Applied Art, Design Works, Gateshead • Torso - Slovak photography, Design Works, Gateshead • Ex-libris, Durham University Library • Student work from the Bratislava Academy, Long Gallery, Newcastle |
||
| 1992 | - Jürgen Faust & Iso Wagner, Queens Hall Arts Centre, Hexham, (Co-curator) |
awards |
|
| 2011 | - Hill End Residency Award, BRAG & Arts NSW |
| 2008 | - Daiwa Foundation Small Grant |
| 2007 | - Northern Print Bursary |
| - Asem Duo Fellowship to Seoul, Korea | |
| 2006 | - Arts & Humanities Research Council Award |
| - Arts Council England Grant for the Arts | |
| 2004 | - Arts Council England Grant for the Arts |
| 1998 | - Northern Arts Award |
| 1997 | - Rootstein Hopkins Foundation Award |
| 1996 | - Northern Arts Award |
| 1995 | - British Council Visitorship to Delhi, Madras & Trivandrum, India |
| 1994 | - Openshaw Printmaking Residency Award |
| 19987/89 | - Monbusho Scholarship to Japan |
| 1984 | - Boise Scholarship to Spain |
bibliography |
|
| • Chris Dorsett: Becoming an artist-in-residence: the ‘mobilities’ of Christopher Jones catalogue essay, Unmonumental, Northern Print, 2013 • Meri Nikula: Entering a Space, catalogue essay, Unmonumental, Northern Print, 2013 • IhnBeom Lee: Erasure, catalogue essay, Northern Print, 2007 • Gavin Robson, Remaking the Past, catalogue essay, Trace-Retrace, Northern Print 2007 • Hiroyuki & Hitoko Suzuki, and Madoka Moriguchi & Dagmar Pachtner, Conversations for Trace- Retrace exhibition catalogue, Northern Print, 2007 • Suzanne Gerber, Sauberhafte Poesie, Häller Tagblatt, June 2004 • Hans Heinem: Spuren-Traces, Die Rheinphalz, 10 March 1998 • Johannes Sellbel: Ein Postmoderner Fensterbauer, Suddeutsche Zeitung, 10 March 1998 • Leonard Emmerling: Deja vu, transcript of lecture at Kunsthalle Servas, 6 March 1998 • Roger Wollen: Artlanta, Contemporary Art, Summer 1996 • Anjali Sircar: Monumental Canvases, the Hindu, 17 December 1995 • Ludmilla Droppova: 26th. International Symposium of Painting, catalogue essay, 1995 • John Milner: catalogue essay, Difficult Rhymes, 1994 • Vicki Charnock: catalogue introduction, Difficult Rhymes • Gavin Robson: From the Small Hours, catalogue essay, 1992 • William Varley: Frozen by Distance, catalogue essay, 1990, Lanchester Gallery • Nicholas Alfrey: Paintings & Collages, catalogue essay, Nottingham University, 1985 |
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